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John Weesop or Jan Weesop (name variations: 'Wessopp', 'Wisop', 'Wesep' and 'Wesop') (''fl'' 1640–1653) was a portrait painter presumed to be of Flemish descent who is now only known for his works produced in the 1640s in England. His English patrons were predominantly prominent members of the royalist aristocracy.〔(Jan Weesop ) at the Netherlands Institute for Art History 〕〔(John Weesop, Portrait of Esmé Stuart Duke of Richmond (1649-1660) c.1653 1653c. ) at Historical Portraits Image Gallery〕〔(Jan Weesop, ''Double portrait of a lady and a gentleman'' ) at Christie’s〕 ==Life== Very little is known about Weesop’s life and career. Until recent research into the artist, the only information known about him were the remarks of the painter William Sykes, recorded by the English engraver and antiquary George Vertue who wrote that: ::"Weesop arrived here in 1641, a little before the death of Vandyck, of whose manner he was a lucky imitator, and had the honour of having some of his pictures pass for that master's. He left England in 1649, saying 'he would never stay in a country where they cut of the King's head and were not ashamed of the action.' It had been more sensible to say, he would not stay where they cut of the head of a King that rewarded painters and defaced and sold his collection. One John Weesop, probably his son, was buried in St. Martin’s in 1652."〔〔George Vertue, Anecdotes of Painting in England, With Some Account of the Principal Artists; and Incidental Notes on Other Arts, Volume 2, Thomas Farmer, 1762, p. 117〕 George Vertue also recorded in a notebook that the painter William Sykes had informed him that a painter called 'Wesop' or 'Weesep' had come to England in 1641 'in the time of Vandyke' and had remained until 1649 and that his pictures 'pass for Vandyke' ('Vertue Note Books', I, Walpole Society, XVIII, 1929-30, p. 49).〔 Research by British art historian Sir Oliver Millar has provided a better understanding of the artist. Sir Oliver showed that John Weesop was still living, and presumably working, in London in 1653 and that a reference to a Mrs Weesop later in that year suggests that the painter likely died later that year.〔〔O. Millar, 'Weesop: flesh on a skeleton', The Burlington Magazine 1183/143 (Oct. 2001), p. 625-630〕 From Vertue’s remarks about Weesop and his patrons it has been concluded that he was sympathetic to the royalist cause. The portraits attributable to Weesop are all of patrons who were staunch royalists. These include figures such as Elizabeth Murray, Countess of Dysart and later Duchess of Lauderdale, Marmaduke D'Arcy and the members or allies of the Villiers family. In a 1730 list of three pictures a double portrait of 'Lord Grandison & Mr. Villiers’ is given to Weesop. These brothers were the sons of Sir Edward Villiers, the half-brother of the Duke of Buckingham. Another painting recorded in 1730 was of Anne Villiers, Countess of Sussex, daughter of Buckingham's younger brother, the Earl of Anglesey.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「John Weesop」の詳細全文を読む スポンサード リンク
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